A piezo disc wired for sensitivity, the contact mic captures vibrations in unexpected ways, whether placed on a wooden surface or directly on her throat. This allows Kinsley to amplify percussive textures, manipulate her vocals, and explore analog filtering techniques in real time. "I find that the sound of it and the way it represents me helps me evoke feelings I can't express through language," Kinsley shares. For more episodes of It Goes To 11, visit GRAMMY.com/videos.